Ukunyaniseka

 "AUTHENTICITY"

XHOSA TRADITIONAL WEDDING

Rituals surrounding umtshato (Xhosa marriage)
Xhosa marriage, umtshato, is one that is filled with a number of customs and rituals which relate to the upkeep of Xhosa traditional practices. These rituals have been practiced for decades by the Xhosa people and have been incorporated into modern day Xhosa marriages as well. The purpose of the practices is to bring together two different families and to give guidance to the newly wed couple throughout.
Ukuthwalwa
To start off the procedures the male intending to marry goes through Ukuthwalwa which entails him choosing his future bride and making his intentions of marriage known, how ever this practice was not done by all the tribes within the xhosa people.In modern day, the man and woman would most likely have been in courtship or a relationship prior to Ukuthwalwa. Decades before Ukuthwalwa would entail legal bridal abduction, where the man could choose a woman of his liking to be his bride and go into negotiations with the family of the bride without her knowledge or consent. She would have to abide to the marriage as per tradition.
Isiduko
Following Ukuthwala, the man will then be in discussion with his parents or relatives to inform them of his choice in bride. During this discussion the clan name, isiduko, of the woman would be revealed and researched. If it were found that the woman and the man share the same clan name they would not be allowed to proceed with the marriage as it is said that people with the same clan name are of the same relation and cannot be wed.
Ikhazi
Once discussions with the family are complete and satisfactory information about the woman is acquired then the family of the man will proceed to appoint marriage negotiators. It is these very negotiators that will travel to the family of the woman to make known the man and his intentions. Once the negotiators reach the family of the woman they will be kept in the kraal, inkundla, of the woman's family. If the family does not possess a kraal they will simply be kept outside the household as they will not be allowed to enter the household without the acknowledgment and acceptance of the woman's family. It is here where the lobola (dowry) negotiations will begin. The family of the woman will give them a bride-price and a date for which they must return to pay that price. The bride-price is dependent on numerous things such as her level of education, the wealth status of her family in comparison to that of the man's family, what the man stands to gain in the marriage and the overall desirability of the woman. The payment of the bride-price could be in either cattle or money depending on the family of the woman. The modern Xhosa families would rather prefer money as most are situated in the urban cities where there would be no space nor permits for livestock.
Upon return of the man's family on the given date, they will pay the bride-price and bring along gifts of offering such as livestock and alcoholic beverages, iswazi, to be drunk by the family of the bride. Once the lobola from the man's negotiators is accepted then they will be considered married by the Xhosa tradition and the celebrations would commence. These include slaughtering of the livestock as a grateful gesture to their ancestors as well as pouring a considerable amount of the alcoholic beverages on the ground of the bride's household to give thanks to their ancestors. The groom's family is then welcomed into the family and traditional beer, Umqombothi, will be prepared for the groom's family as a token of appreciation from the bride's family.
Ukuyalwa
To solidify their unity the family of the bride will head to the groom's household where the elders will address her with regards to how to carry herself and dress appropriately at her newly found household, this is called Ukuyalwa.Furthermore, a new name will also be given to her by the women of the groom's family and this name signifies the bond of the two families

XHOSA BEADWORK

Adornments serve a particular purpose across different cultures as social markers. They are used to ascertain where one belongs to with regards to identity, history and geographical location. They reveal personal information with regards to age and gender and social class as some beads were meant to be worn by royalty. Beadwork creates a sense of belonging and cultural identity and traditions hence people draw their cultural ways of living and meanings, as Xhosa people use them as social markers. Xhosa people believe that the beads also create a link between the living and the ancestors as diviners use them during rituals. Thus beads have some spiritual significance.

Social identities/markers with regards to age, gender, grade, marital status, social rank or role and the spiritual state can be ascertained through Xhosa beadwork. Symbolic references are drawn from the beads through the colour, pattern, formation and motifs. However, it ought to be taken into cognisance that some of these messages are limited to a certain group or between two people. In Xhosa culture beads represent the organizational framework of the people and the rites of passage that people have gone through as the beads are representative of the stages of one's life. Motifs on the beads often used include trees, diamonds, quadrangles, chevrons, triangles, circles, parallel lines that form a pattern that is exclusive to certain age groups. Although the beadwork has some cultural significance with certain motifs having exclusive meanings, the creator of the beadwork has creative control and can create and draw meaning from individual preference. Thus the meanings drawn from the beadwork are not rigidly set.
Among the Thembu (a tribe in the Eastern Cape often erroneously referred to be a Xhosa tribe), after circumcision, the men wore, and still wear, skirts, turbans and a wide bead collar.

A waistcoat, long necklaces, throat bands, armbands, leggings and belts are part of his regalia. The dominant colours in the beadwork are white and navy blue, with some yellow and green beads symbolising fertility and a new life, respectively. Xhosa people regard white as the colour of purity and mediation; white beads are still used as offerings to spirits or to the creator. Amagqirha/diviners use white beads when communicating with the ancestors . These diviners also carry with them beaded spears, which are associated with the ancestors that inspire the diviner; beaded horns; and calabashes, to hold medicinal products or snuff. "Amageza", a veil made of beads, is also part of their regalia, they use these beads by swaying them in someone's eyes so as to induce a trance-like state.

Inkciyo is a beaded skirt that serves as a garment covering the pubic area. Among the Pondo people (Xhosa clan) the beads are turquoise and white in colour. This skirt is worn during a virginity testing ceremony among Xhosa people undergoing their rites of passage into womanhood.

Impempe is a whistle that has a necklace on it. The whistle symbolises one's introduction to adolescence.
Xhosa beadwork and other cultural beadworks have cultural ties, but nowadays beads are also worn as fashion pieces, too, either as cultural appreciation or appropriation. The use of cultural beadworks as fashion pieces means that anyone can wear these pieces without having to belong to that cultural group.

XHOSA TRADITIONAL DANCE

Umxhentso is the traditional dancing of Xhosa people performed mostly by Amagqirha, the traditional healers/Sangoma. Ukuxhentsa-Dancing has always been a source of pride to the Xhosas as they use this type of dancing in their ceremonies.
This dancing includes overt shoulder movements that include shaking the thoracic and the rest of the upper body, stomping barefoot. Umxhentso is usually accompanied by a drum beat or slow vocal music called ukhombela with clapping to give the dancers a rhythm to follow.
Characteristics
Xhosa people wear beaded clothes when they perform umxhentso the name of these traditional garment is called umbhaco. They usually paint themselves prior to performing. Umxhentso is mostly performed in the Transkei homeland in the Eastern Cape Province of South Africa where the tradition is still valued.
Musical accompaniment includes :
•Uhadi musical bow
•Drum Beat
•Composition and singing of theme songs called ukombela
•A whistle-Impempe made out of Ingcongolo reed
Categories[edit]
The different types of Umxhentso are:
Umngqungqo
An ancient dance performed by old women. It is performed in ritual ceremonies. It requires little movement and is considered to be highly dignified. It is slow and accompanied by low-pitched music and clapping. The umgqungqo is performed on wedding ceremonies, when a young girl is matured normally after puberty or in her teens Xhosa people used to have arranged marriages called 'ukuthwalwa' then on wedding ceremony called 'umendiso' theme songs are sung.
Umdudo
This is a dance that is performed in weddings. The word Umdudo is derived from the verb ukudada which means to swim. The choreography of this dance includes spinning up and down. This type of dancing is often accompanied by ‘umbholorho’, songs performed at weddings(Umtshato
Intlombe
Intlombe is performed by traditional healers/Amagqira during their initiation ceremonies. The term Ukuxhentsa (verb) represents a dance performed by young girls during festivals and traditional ceremonies.
Umguyo
This is a symbol of transition from boyhood to manhood.